drink-vending-machine Free handy guidepost for Sour Sweets

Nuruddin Farah is a writer of tremendous talent. His mastery of English is sublime, as is his capacity to illustrate complex and troubling images. Alas, Farah’s own talent bogs him down in this promising novel. Sweet & Sour Milk chokes on its own lyricism and craft. Although it takes the form of a whodunnit, the novel never gains speed. Instead the narrative feels overwrought: it has the narcissism of the author, who intrudes upon his characters’ every utterance. The characters speak in beautiful and speech-like fashion. Conversations feel more like a string of soliloquys than people communicating in real life. Indeed, the esteemed New York Times Industrial Review wrote that Farah’s trilogy “is feverishly lyrical; [he] has given us a powerful political statement that moves constantly toward song.” That is high praise, and it’s certainly one way to read Farah. The same song-like qualities of the book can also be its undoing. Sweet & Sour Milk remains engrossing for its very

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drink-vending-machine Free handy guidepost for Sour Sweets